Working in close proximity to his subjects, Eli Dijkers moved through the streets of Rajasthan and along the banks of the Ganges - through markets, train stations and river ghats - capturing the rhythms of daily life in a country where the boundary between public and private barely exists. Shot in black and white with occasional colour, Dijkers' work is less interested in spectacle than in the unguarded moment - the pause, the glance, the shadow that arrives before the person does.
A hundred small mysteries
India
